Monday, 14 March 2016

Re-Imagining Tradition: Pope Francis' Laudato Si' and the Ecological Crisis

Pope Francis’ most recent encyclical, Laudato Si’, is a slim but powerful commentary on humanity’s relationship with God and the environment. Laudato Si’ offers a poignant critique of capitalist society, free-market economies, and consumerist culture, from a Catholic perspective reminiscent of liberation theology. In Laudato Si’, Pope Francis argues for the importance of an ecological approach that seeks to protect the environment while simultaneously engaging with the needs of human society[1]. Pope Francis calls this approach an “integral ecology”[2]. This is an ethically and theologically based ecology that is centred around the idea of nature as an interconnected matrix of the living world. For Pope Francis, nature is a part of God’s creation, and is therefore imbued with God’s love. In Laudato Si’, Pope Francis draws inspiration from the twelfth century monk Saint Francis of Assisi. Saint Francis’ mystical and environmental practices play a significant role in Pope Francis’ approach to ecology. Pope Francis’ use of Saint Francis in furthering the mystical elements of his encyclical reflects the tremendous power and longevity of the Catholic tradition. Here I would like to contribute to Pope Francis’ critical reflections by briefly exploring the possibility of an environmental ethic in the Rule of Saint Benedict of Nursia. I argue that the more progressive a religious tradition becomes, the more it necessarily has to reimagine and reinterpret the traditions and practices of the past in order to face the challenges of the present moment. I will begin by briefly tracing a sketch of Pope Francis’ analysis of the relationship between humanity and the environment.
Laudato Si’s primary goal is to address the present ecological crisis from a Catholic perspective. Pope Francis’ introductory paragraph underscores this perspective by introducing the earth from the point of view of Saint Francis. The opening line, “’Laudato si’, mi’ Signore’ – ‘praise be to you my Lord”[3], is a marvelous invocation of Saint Francis of Assisi’s classic poem Canticle of the Creatures. In Pope Francis’ interpretation of Saint Francis of Assisi, the earth is “like a sister with whom we share our life and a beautiful mother who opens her arms to embrace us”[4]. In Canticle of the Creatures, Saint Francis sings of the glory of creation, and embraces the great constellation of the universe as though it were family: Brother Sun, Sister Moon, Brother Wind, Sister Water, Brother Fire, and so forth[5]. However, in the second paragraph of Laudato Si’ Pope Francis contrasts the lovely imagery of Saint Francis’ Canticle of the Creatures with humanity’s mistreatment of the environment: “this sister now cries out to us because of the harm we have inflicted on her by our irresponsible use of the goods with which God has endowed her”[6]. Pope Francis argues that humanity’s careless behaviour towards the environment stems from an attitude towards nature that pits humanity as the supreme master and nature as a lesser servant[7]. Moreover, the current ecological crisis is a reflection of “the violence present in our hearts, wounded by sin”[8]. The language of the first two paragraphs sets the tone for the proceeding passages in the encyclical. On the one hand, there is a hopeful portrayal of the beauty of our “Sister Mother Earth”, but on the other hand lies the dark shadow of the ecological crisis. This appears to be Pope Francis’ intention: to instill in us a sense of profound hope and reverence for the environment, but also to alert us to the deterioration of the natural world.
Before I engage with Pope Francis’ environmental approach it will be worthwhile to discuss in further detail the current state of the ecological crisis. As Pope Francis notes, among the most pressing environmental issues is water[9]. As Nevins states, “in countries ranging from Saudi Arabia to China, there are severe water shortages. In upwards of 22 countries in Africa, at least half of the population does not have access to potable water. World-wide the figure is over one billion, with almost three billion lacking sanitation services”[10]. The scarcity of clean freshwater is deeply problematic, and is at the heart of the global water crisis. In addition to the issue of freshwater, the issue of “water wars” is also quite alarming. In 1995, Ismail Serageldin famously stated that “if the wars over this next century were fought over oil, the wars over the next century will be fought over water”[11]. Serageldin’s prophetic warning is becoming a reality. Today, there are different types of “water related-conflict”. One is the conflict between nation-states over the control of water. In Nevins’ article this is exemplified by the state of Israel’s exploitation of Palestinian aquifers in the West Bank[12]. According to Nevins, Vandana Shiva delineates another type of “water related-conflict”, one she refers to as “paradigm wars”[13]. Paradigm wars refer to the conflicting interests of different groups regarding the use of natural resources such as water[14]. For instance, multi-national corporations are concerned with the commodification of water, whereas many ecologically minded individuals view water as “a human right” and “something to be shared and protected by humanity”[15]. One might say that Pope Francis’ encyclical is caught up in a paradigmatic war between environmental ethicists, exploitive nation-states, and free-market economies.
Another major issue discussed in Laudato Si’ is “the loss of biodiversity”. As Pope Francis argues, the issue of biodiversity is also of the utmost concern[16]. According to May, there is somewhere between three and five million species of plants and animals on the earth today[17]. Over this next century, many of these species will face an extinction similar to “the Big Five mass extinction events in the fossil record”[18]. According to May, this “Sixth Wave” will be quite different from the previous “Big Five” in the sense that the Sixth Wave will not be a consequence of the natural world, but rather the direct result of human activity in the natural world[19]. The demise of the natural world will have tremendous consequences for humanity, especially the poor living in developing countries who might lack the technological and practical capabilities to cope with such radical environmental changes. Indeed, this assertion is reflective of Pope Francis’ linking of the social and the environmental. Pope Francis’ argues that “a true ecological approach always becomes a social approach; it must integrate questions of justice in debates on the environment, so as to hear both the cry of the earth and the cry of the poor[20]. Next, I would like to discuss the spiritual and ethical framework for Pope Francis’ environmental approach.
In Laudato Si’, Pope Francis begins his analysis of the ecological crisis by drawing on the commentary of previous Popes and clerics. These include Blessed Pope John Paul VI’s critique of humanity’s environmentally degrading industrial practices in his apostolic letter, Octogesima Adveniens[21]; Saint John Paul II’s commentary on the nihilism of utilitarianism in his encyclical letter, Redemptor Hominis[22]; and Pope Benedict XVI’s structural analysis of environmentally detrimental economic practices in his Address to the Diplomatic Corps[23]. Pope Francis also includes Patriarch Bartholomew’s holistic approach to the ecological crisis, whereby “Bartholomew has drawn attention to the ethical and spiritual roots of environmental problems, which require that we look for solutions not only in technology but in a change of humanity”[24]. Pope Francis’ inclusion of Bartholomew also reflects his vision for a stronger relationship between the Catholic Church and the Orthodoxy. Nevertheless, it appears that each of Pope Francis’ contemporaries agree on the need for a solution to environmental reform that addresses the systemic issues of industrial capitalist economic structures, while maintaining an ethically and spiritually infused environmental approach.
Pope Francis’s environmental approach is also deeply influenced by Saint Francis. Pope Francis writes, “I believe that Saint Francis is the example par excellence of care for the vulnerable and of an integral ecology lived out joyfully and authentically”[25]. Saint Francis is the patron saint of ecology, and his regard for nature can be vital for any ethical approach to the environment. According to Mizzoni, during the 1980’s such thinkers as Paul W. Taylor, James P. Sterba, Harley Cahen, and others, developed the idea of biocentrism[26]. Biocentrism is a concept that maintains that “all living things have intrinsic value”[27]. Moreover, “a biocentric environmental ethic is concerned with how human actions impact individual living creatures”[28]. Mizzoni’s reading of Canticle of the Creatures reveals a profoundly biocentric outlook, whereby Saint Francis “recognized intrinsic value in all living things and believed that humans ought to respect those values”[29]. Mizzoni contends that Saint Francis’ biocentric point of view is reinforced by various notable Franciscans, such as Bonaventure and John Duns Scotus, who perceive nature as a manifestation of God[30]. In their view, nature is a theophanic expression of the Divine, and according to Mizzoni this “is at the heart of a Franciscan ecotheology”[31]. One example of this can be found in Saint Francis of Assisi’s Sermon to the Birds. On one level the Sermon to the Birds represents Saint Francis’ particular combination of evangelism with the ascetic qualities of an eremitic lifestyle, but on another level it signifies Saint Francis’ literal and mystical understanding of creation[32]. For Saint Francis, the birds are endowed with qualities that enable them to understand God’s love for them: “my brothers, birds, you should praise your Creator very much and always love him; he gave you feathers to clothe you, wings so that you can fly, and whatever else was necessary for you”[33]. Saint Francis’ Sermon to the Birds is characteristic of the Franciscan attitude towards the environment. In a way it also mirrors Pope Francis’ argument for an ecology that combines the social with the environmental in the sense that creation, just as much as humanity, is worthy of salvation.
Here I would like to briefly consider an environmental ethic in the Rule of Saint Benedict of Nursia. I contend that an environmental ethic developed from the Rule might compliment (and indeed, contribute to) Pope Francis’ environmental approach expounded in Laudato Si’. The Rule of Saint Benedict is a Western classic, and is used in a variety of monastic settings, from Benedictine and Cistercian monasteries to the various contemporary New Monastic communities around the world. Saint Benedict frames the Rule around an early Christian interpretation of scripture. According to Holzherr, “every interpretation of the Rule must proceed from this biblical and Christ-marked background”[34]. As one author notes, at the very center of Saint Benedict’s teaching is the figure of Jesus Christ[35]. If one were to explore an environmental ethic in the Rule, it would have to be considered in light of the Christian monastic tradition.
Although the Rule of Saint Benedict is meant for monastic communities, some of its core principles can act as ethical standards for the preservation of the environment. In chapter thirty-one of the Rule, Saint Benedict provides rules for the cellarer of the monastery, dictating that the cellarer “will regard all utensils and goods of the monastery as sacred vessels of the alter, aware that nothing is to be neglected”[36]. If people were to incorporate this rule into their environmental approach, then they would be obliged to acknowledge the sacrality of the natural world and treat it as such. Moreover, if individuals or communities were to implement this sort of ethical consideration into their environmental approach, then they would likely see a drastic improvement in their surrounding environment, or at the very least, it would help them to cultivate a sense of reverence and respect for the natural world. Chapter fifty-three of the Rule also has profound implications for a Benedictine inspired environmental approach. Here, Saint Benedict writes on the topic of the reception of strangers in the monastic community, “all guests who present themselves are to be welcomed as Christ, for he himself will say: I was a stranger and you welcomed me (Matt 25:35)”[37]. If people were to apply this rule to their treatment of the natural world, then they would be compelled to treat the environment with the utmost care and respect. From this perspective, Saint Benedict’s Rule has the potential to provide people with concrete ethical considerations that could be incorporated into an environmental approach.
Laudato Si’ is both a call to environmental action and a reminder that humanity is fundamentally dependent on the earth for its existence. Laudato Si’ is also representative of a rich ecologically orientated tradition in Catholicism. The incorporation of ancient monastic motifs into modern religious ecological practices suggests that in order for religious traditions to effectively respond to present conditions, the traditions of the past must consequentially be reimagined. Laudato Si’ is but one example of how religious traditions can be reimagined and reformulated to engage with current circumstances. Other examples can be found in the neo-Confucian writings of Tu Weiming, and the Vedic philosophies of Vandana Shiva. Nevertheless, Laudato Si’ is an inspired work that demands us to look carefully at the current environmental crisis, and our role in it. On the whole, Pope Francis’ encyclical is a candid and courageous effort in the paradigmatic war against humanity’s destruction of the natural world. 





Works Cited
Assisi, Francis of. “Canticle of the Creatures.” In Francis of Assisi: Early Documents, vol. 1, edited by Regis J. Armstrong et al., 113-114. New York, London, and Manila: New City Press, 1999.
Francis. Laudato Si’. Ottawa, Ontario: Canadian Conference of Catholic Bishops, 2015.
Holzherr, Georg O.S.B. “Introduction To The Rule Of Saint Benedict,” American Benedictine Review 61, no. 1 (2010): 30-62.
May, Robert M. “Why should we be concerned about loss of biodiversity.” Comptes Rendus –Biologie 334, no. 5 (2011): 346-350.
Mizzoni, John. “Franciscan Biocentrism and the Franciscan Tradition.” Ethics & the Environment 13, no. 1 (2008): 255-263.
Nevins, Joseph. “Resource conflicts in a new world order.” Geopolitics 9, no. 1 (2004): 255-263.
Sorrell, Roger D. St. Francis Of Assisi And Nature: Tradition and Innovation in Western Christian Attitudes toward the Environment. New York and Oxford: Oxford University
Press, 1988.
The Story of St. Benedict. London: A. R. Mowbray & Co LTD, 1967.
Wall, Esther de. A Life-Giving Way: A Commentary on the Rule of St Benedict London: GeoffreyChapman, 1995.





[1] Francis, Laudato Si’ (Ottawa, Ontario: Canadian Conference of Catholic Bishops, 2015), 11.
[2] Ibid., 9.
[3] Ibid., 3.
[4] Ibid.
[5] Francis of Assisi, Canticle of the Creatures in Francis of Assisi: Early Documents, vol. 1, ed. Regis J. Armstrong et al. (New York, London, and Manila: New City Press, 1999), 114.
[6] Francis, 3.
[7] Ibid., 46.
[8] Ibid., 3.
[9] Ibid., 21.
[10]Joseph Nevins, “Resource conflicts in a new world order,” Geopolitics 9, no. 1 (2004): 259.
[11] Ibid., 258.
[12] Ibid.
[13] Ibid., 259.
[14] Ibid.
[15] Ibid.
[16] Francis, 23.
[17] Robert M. May, “Why should we be concerned about loss of biodiversity,” Comptes Rendus – Biologie 334, no. 5 (2011): 346.
[18] Ibid., 347.
[19] Ibid.
[20] Francis, 33.
[21] Ibid., 4.
[22] Ibid., 5.
[23] Ibid., 6.
[24] Ibid., 8.
[25] Ibid., 9.
[26] John Mizzoni “Franciscan Biocentrism and the Franciscan Tradition,” Ethics & the Environment 13, no. 1 (2008): 125.
[27] Ibid., 121.
[28] Ibid.
[29] Ibid., 122.
[30] Ibid.
[31] Ibid.
[32] Roger D. Sorrell, St. Francis Of Assisi And Nature: Tradition and Innovation in Western Christian Attitudes toward the Environment (New York and Oxford: Oxford University Press, 1988), 59.
[33] Ibid., 60.
[34] Georg Holzherr, O.S.B. “Introduction To The Rule Of Saint Benedict,” American Benedictine Review 61, no. 1 (2010): 30.
[35] The Story of St. Benedict (London: A. R. Mowbray & Co LTD, 1967), xxiii.
[36] Esther de Wall, A Life-Giving Way: A Commentary on the Rule of St Benedict (London: Geoffrey Chapman, 1995), 103.
[37] Ibid., 153.

Friday, 4 March 2016

Wangechi Mutu and the Spectral Dissonance of Life

“He asked me how you float all sharp and always have a fresh one/ And seem to know the answers to the most proverbial questions/ I told him Wangechi swirled it in a book of sketches/ I find the diamonds underneath the subtlest inflections” -Shabazz Palaces, “Are You… Can You… Were You (Felt)?”[1].

 I was first introduced to Mutu’s artwork when I listened to the Shabazz Palaces’ song, quoted above, “Are You… Can You… Were You (Felt)?”. Shabazz Palaces’ is a hip/hop group based in Seattle. They experiment with electronic beats, jazz, and traditional African music to create a unique and colourful listening experience. Shabazz Palaces and Wangechi Mutu pair well together, and I hope they collaborate at some point. In Untitled, Mutu uses “mixed media collage and painting on vellum”[2] to create a beautiful, yet violent, piece of art. Here, I will give a very interpretative account of my experience while beholding this fascinating piece of art.
Untitled appears to be a portrait. Perhaps it is a self-portrait of Mutu herself, but one can only speculate. At first glance, I was immediately struck by the intensity of this piece. Here, a woman is giving birth to a winged creature resembling a butterfly. Ironically, the woman appears to be in the fetal position while actually giving birth. There is something rather pornographic about the woman, especially her legs, and high heels. Her nakedness is astounding, and terribly revealing. I find it interesting how the majority of the woman’s body contrasts with her arm and the legs. The arm and the legs are the most familiar in terms of their realistic appearance. The main body, however, contains different elements, including the vehicular-like portions of the neck and the pubic region. These vehicular regions perhaps symbolize how Mutu feels about sexuality, and the functions of the neck in speaking, breathing, drinking, and eating. All of these functions are vital for life, yet they are also almost mechanical in the ways that they are exhibited in the piece. The grey and brown colour schemes of the body could also be figurative, perhaps they reflect the way in which Mutu imagines the body to be on the inside; a chaotic swirly mess of organs and other corporeal qualities.
The birth itself is an astonishing event. The blood, coloured in a darkish red, bursts from the body, and releases a winged creature from the woman’s womb. The winged creature appears to be some sort of insect from the Lepidoptera order. It looks to be attached to an umbilical chord while attempting to fly away. Here, the giving of life is a sensual, yet violent process. The significance of this is fascinating. I am reminded of how the beauty of a birth is accompanied by an awful amount of suffering. Of course, I will never experience this for myself, and I could never imagine what it would actually be like, but it appears to be a painful experience. Indeed, the face of the woman reflects the agony of birth. It is interesting to observe what appears to be emanating from the woman’s head. I am not entirely sure what it is, but it looks very naturalistic, like a plant, or a root, or some sort of oceanic creature. While looking at this strange thing attaching to the woman’s head, I notice her hair, which is similar to the familiar tones of the arm and the leg, all of which I think are the most realistic aspects of the piece, in contrast to the other surreal textures. The background is coloured in shades of grey, emitting a spectral vibe. Indeed, with life, there is always a sense of death. In order for there to be life, death is always something that plays a central part, and in this piece, this sentiment is reflected by the ghostly surroundings of the woman, as she bears the child in a fetal position. For the woman, the act of giving life is a symbolic death. It is in the act of letting go of life, that there is the possibility for renewal, and for new life. Perhaps this is what is meant by Shabazz Palaces’ lyrics explaining how the answers “to the most proverbial questions” can be elicited from Wangechi Mutu’s “book of sketches”.





[1] “Are You… Can You… Were You You? (Felt),” genius.com, last accessed March 4, 2016, http://genius.com/Shabazz-palaces-are-you-can-you-were-you-felt-lyrics.
[2] “Wangechi Mutu: Wangechi Mutu Exhibited At The Saatchi Gallery,” saatchigallery.com, last accessed March 4 2016, http://www.saatchigallery.com/artists/wangechi_mutu.htm.

Works Cited
“Are You… Can You… Were You You? (Felt).” genius.com. Last accessed March 4, 2016.http://genius.com/Shabazz-palaces-are-you-can-you-were-you-felt-lyrics.

“Wangechi Mutu: Wangechi Mutu Exhibited At The Saatchi Gallery.” saatchigallery.com. Lastaccessed March 4 2016. http://www.saatchigallery.com/artists/wangechi_mutu.htm.